ferdinando apicella a.k.a. kernel key was born in naples. in 2011 he started his electronic carreer as producer and has already had releases on popofs form imprint as well as releases on agile the label of uto karem, loose records and mkt the label of markantonio. now he makes is next step with his release on kd music.

matador is a dublin based dj,live performer and producer who has been releasing his own twisted but organic take on techno for the last four years. late last year came the huge kingswing ep on minus and now this spooks ep sees him step-up once again for a 5 track outing which balances his usual melody with a real techno drive. the title track opens proceedings with predatory, roughshod bass tone running underneath blippy melodies, snappy house influenced percussion and a dark male vocal where kenekt is all out sci-fi weirdness.spiralling space ships, undulating basslines and plenty of well-defined percussion all add up to a snaking track that really works its way under your skin.on the flip,b1 bambam is the most heads down and streamlined techno offering of them all before klay is the ep closer which manages to bend and drip little melodic droplets down the face of slinky hi-hats and deep,rolling basslines.

souvenir is proud to present its 44th ep from a duo of frankfurts favourite sons, chris wood and carsten meat schuchmann. both chris and carsten have come up through frankfurts music scene, chris with his long time residency at the infamous monza club and carsten having started the citys premier record shop freebase, still going strong 18years later. trained as a studio engineer, chris cut his chops under the wise wings of pascal feos and joinedforces with meat, who held residencies at cocoon and robert johnson. last year they dropped the mighty triple s on souvenir, which destroyed dance floors as far afield as sao paolo to ibiza.

a vanguard touch for a classic gold work on loose records by the label boss rino cerrone and flavio diaz, with an epic re-editing and two remixes by tom hades and jake childs. first one made a lot of releases for mb elektronics and rhythm converted, jake childs is famous for his success remix of blazes lovelee dae on om records. miseno is a mix of funky and old school techno melodies, with a strong kick and a warm bass line, the hi hat gives a sliding rhythm to the groove. the hypnotic synth is the essence of this track, very tasteful but very techno. extraordinary wiring makes a second step with jake childs, with a carrying tech - house beat and a funky bass line. everything is rhythmic and moved on by a minimal synth which runs on the track shaking the people on the dance floor. a tribal mood on a tech - house beat, the sub bass is pushed on by a powerful kick and the synth bass makes the track very strong. energetic tune and very good stuff for take a dance, just another last cigarette for tom hades too. a magic and innovative rework from loose records, the fusion of different styles enclosed in one release, enjoy

stainage steps into 2012 with a change in tactics and a shift in style. the half step gloom leaves the cocoon to morph into a more mature sound where glittering garage and future house take the spotlight on the dance floor.

versa and rowl are names that have been kicking about for some time now and those who have had there ear to the ground know that these boys are about to blow! all 3 tracks are just stunning. >lunar< is a rhodes journey into 2 step heaven with a serious low end. then >zoidiac< takes it to a 170bpm, but still keeps a soulful vibe that is a delight on the ears. last up, but by no means least is >warewolf< that is currently being championed by mary ann hobbs. other support includes phaeleh, skream, chefal, synkro, indigo and too many more to mention! smokin sessions deliver once again

first only available via decks.de
el nino andres delivers a full length debut for hija de colombia, and the music he provides for this releases is a step further in deepness of tech house. album is a intensive orchestral affair, going for over 70 minutes of drums, big piano hooks, strings and other mostly acoustic and analogue instruments, over a percussion layered beats.
double 12 inch, pressed on white vinyl.

no use is the first collaboration between long time friends and house music veterans steve conry and iain macpherson. and their fine debut >no use< is the first release on what promises to be a quality outlet magic feet. the original mix is a warm, mid-tempo, acid laced house throbber, perfect for those early hours sessions. taking care of the remixes are craig bratley (instruments of rapture, foto recordings) who amps up the atmospherics, makes the whole thing a little chunkier while adding some space to the whole affair. finally ooft! step up with a rolling and mesmerizing electronic house workout high quality and a stunning debut.

last year’s ‘the age of compassion’ by chicago underground house don tevo howard was one of the standout tracks for buzzin’ fly in 2011with widespread dj and media support. it joined his burgeoning body of work on other acclaimed labels such as rush hour and his own beautiful granville. now tevo returns with his follow-up for buzzin’ fly. if ‘the age of compassion’ was a simple and elegant dancefloor bump wrapped in warm analogue melancholia, then the ‘monument ep’ is its nemesis - a stark future-retro reinterpretation of the origins of house music build from the bare components of machines: raw drums, sub bass, sine waves, square waves and oscillators. and yet there is still a burnished beauty to this ep. all three tracks seems to find echoes of each other in their arrangements and brittle harmony. machine music for the modern age edged with passion and feeling, and another fresh step for its producer.

franck roger returns with a sharp three-track release alongside talented countryman terence:terry. the pairs this is now ep blasts us into 2012, a bold and edgy step-change for real tone off the back of vintage, stateside-vibed >after all< (with mandel turner). gritty opening number hustling peoples keeps things on edge, just as they should be. roger and terrys title track accelerates smoothly into funky, retro-tinged house flow, complimented by echoes of female vocal. final offering beaucoup la fête returns to moodier territory, a 4-4 stomp with real chaotic charm and buzzing fx. together, roger and terry have produced something very, very special for real tone. their >this is now ep< is a striking record asking the listener, very simply, to dance hard and dance now… early djs supports and feedbacks by damian lazarus, tania vulcano, lee foss, ralph lawson, heidi, james priestley (secretsundaze), ryan crosson, deetron, clive henry, josh wink, magda, dj t., sasha, efdemin, d julz, jimpster, matthew dear, ellen allien, hernan cattaneo, nick curly, michel cleis, sascha dive, boris werner, le loup...

endlich! nach unfassbar tollen konzerten folgt nun ein erster tonträger des duos viktor marek und ashraf sharif khan. der eine nicht umsonst als der >madlib von der waterkant< gefeiert, der andere aus einer sitar-spieler-dynastie in pakistan durch zufall in hamburg-city gelandet. zusammen produzieren sie einen sitar-getriebenen clubstep, der alle länder, völker, ja beide gehirnhälften ein für alle mal vereinigt! auf dieser maxi befinden sich neben den zwei originalstücken remixe vom legendären britischen dub/ step/ uk garage/ drum & bass-vater benny ill aka horsepower productions und dem hamburger kollektiv small people um die smallville-gang. ein must have

now approaching its fifth year of groundbreaking releases, med school excitedly present 2012s follow-up to the critically acclaimed new blood series. bringing together a collection of artists suited to the med school sound from the as-yet unknown to the underground hero, each track brings another interesting layer to the album.
with no less than eight tracks split across two 12 inch vinyl, this is jam packed with the finest beats and basslines.
a transfusion of med school versatility, with releases reaching outside the limits of d+b and into 2-step and dubstep. blood pressure follows up new blood 011 and takes it to a whole new level!

>blueprint< (movlp 455) from 1973 presents a well-rounded picture of gallaghers eclectic influences. muddy waters, big bill broonzy, roy head are all shown their due. includes the brooding >seventh son of the seventh son<, which locks the band in a swampy groove for over eight mintues!
remastered audio on 180 grams audiophile vinyl.

nice price deal !!! having established himself as one of the most exciting new talents around with a series of genre busting singles akira kiteshi, aka glasgows tommy forrest, steps up to the plate with the release of his debut album, industrial avenue.
blurring the lines between 2-step influenced dubstep, electronica, bass music, whatever you want to call it, industrial avenue is a joyous tour de force that defies categorisation.
cd version of the full album included.

gabriel andruzzi, multi-instrumentalist and core member of dfas beloved the rapture, debuts his solo moniker dj druzz vs. omega mus on his own throne of blood imprint. designed for maximum dancefloor impact, >apeman< reveals new shades of primal funkiness hitherto unexplored by man... the title track thumps along with a swagger in its step, while tambourines, deep toms and simian grunts rattle and shake into rhythmic abandon. meanwhile, audacious, finely-detuned synth acrobatics form the backbone of the track and evoke a sense of careening blindly through the jungle canopy.

striking out in june 2011 with his debut ep >in your gut like a knife< - a neat summary of his electronic excursions at that point - the beautifully artworked 12 inch acted as a portal into a world of daydreams, tumbling into shadows and embracing luminescence simultaneously. breeding surreal headphone-friendly landscapes, he struck a peculiar and delicate balance between otherworldly and familiarity, at times sneaking a sly glance towards the dancefloor but mostly conjuring a sense of longing and rye melancholy. ticking with a distinctive bounce and rhythm, it comes as no surprise that gang colours was raised on the bump and grind of uk garage. taking a step back from chopped n screwed rnb vocals and the swing of ukg, >the keychain collection< explores more sombre recesses within gang colours palette. the scattered technicolor synth melodies that characterised his ep are present, but softer, cosier even, weaving betwixt and between forthright piano chords and wills own vocals. >the keychain collection< eloquently captures gang colours first steps on a long road.

a cool work from xpansul and alessio mereu coming back together in the same ep, after the previous project from somewhere to nowhere released on 2009 on t-bet records. but this time theres a striclty featuring enclosed in the emphasis of two tracks, including a remix by sasha carassi already known for his great works on various labels such drumcode and mores.moldy oscillatoris a powerful mix of synth attacks and transporting bassline, the kick is very deep but strong too. an ancestral background takes everything so dark and aggressive, a great techno dark mix.second step for moldy oscillatorremixed by sasha carassi, the bassline is very fat and hard, the synth runs in background very hypnotic and insidious. heavy techno dark gear of course.acid cream whiphas a pumping groove and is framed by a an electronic bassline, an acid synth carrying the track very high, rolling chords and majestic cuts. acid pumping techno tune. a flawless job, where youth and experience are a winner pair for an epic release of course. analytic trail, your trusted music dealer.

crazy p meet appleblim for some bristol 2 step soul and deep dark dub.

exceptional debut album!!early support by groove magazine, resident advisor, oliver hafenbauer, gerd janson, lawrence more to come.. sometimes things in life never occur as planned. so it happend to edward aka. gilles aiken, when the berlinbased artist was looking for a new apartment. somehow he found himself moving to a very small fairy tale-like village called teupitz in brandenburg, germany. it was there were edward rediccovered his deep love for nature and silence. with long extensive walks along the teupitzer lake he got to the bottom of his true love for house music. within the silence he could still hear a distant pulse of basslines ringing. and after release for giegling, blooming soul and white it was time to make the next step. with all the nature surrounding him, he finally felt able to get all the music out. music which ended up as his debut album, simply called teupitz

this time cityfox takes it a creepy step deeper into techno. seph comes with his hands full of bass energy in the form of the suzbu ep.3 tracks, all of which will blow your speaker if you let em.genbu doesnt play around, straight to the deep bass kick and whirring,like a machine powering up after a long hibernation. vocal lines make you mad as the melody repeats. high energy track is a great way to begin explaining this track.suzaku picks it right up where genbu left, vocal cuts, deep kick, and wide melodies.thick and sharp,techno at one of its finest moments.produced together with pablo denegri,we come to unti.a nitemareish world of machines and persussion leading you through the night,making your way to groovy baselines and cool melody!

in a short time, north londoner randomer has built up a small but heavy hitting catalogue of work – releasing >brunk< (on hessle audios 116 & rising compilation), the acid tinged >obtuse< and most recently his dance mania-on-steroids ep for numbers, >real talk<. his debut for hemlock recordings sees him taking things even further back to basics, dropping two heavyweight trax of pure beats and bassline indulgence. a. scruff boxs beats roll heavy but with a crafty, garage skip in their step, giving no clues to the obese bass riff that soon rudely exposes itself, tearing through the track roll by roll. aa. get yourself together more of those trademark, overweight beats with one giant, elasticated bassline. for those who like them large and lovely

turbo recordings presents a second pack of killer remixes of zzts >work<, the latest single off the tiga/zombie nation supergroups partys over earth lp. featuring the advent & spiriakos, norman nodge and gingy & bordello.
it fills us with a profound, seething rage to think that even a small segment of the turbo audience doesnt worship the advent. here he teams with spiriakos to convert any stragglers. meanwhile, real-life lawyer norman nodge uses the full force of his autogenic training to create a track that is both elegant and hypnotic. and hot off their much-loved >body acid< ep, gingy & bordello continue their climb up the clubhouse ladder by joining the zzt remix elite, showcasing another step in the evolution of their maturing sound.

tj hertz he has a white label unknown objekt. from below as if the body is muscular rock sound, the words of the author’s case, dub step, three steps are a complex mixture of core and base, garage, techno. record during 28 months, hessle audio, including obtaining support from the scuba and surgeons, aphex twin, james ruskin, release the forefront of the techno / electronica scene, in the presence mysterious, and the label is. in addition, the top clubs such as fabric, such as radiohead sbtrkt work and nun or a mixer containing a book and berghain has been steadily eroded the deepest part of the scene is employed as. his name, the founder of a leading car rental company, or unit of frequency cited physicists in the mystical setter for a feature not leave a name, tj hertz. doberman, writing for himself while living in retirement in the body that is born in japan and raised in the uk, now in the outskirts of berlin, came from a magazine interview requests all 100 dj mag special million euros was more interested in the beginning with no offers, he said, the behavior is earnestly devoted to the basement

eugene albert, born and raised in san francisco and now residing in berlin, is an artist on the rise. with a musical passion ignited first by electro, a move to bologna in 2009 introduced him to the deeper shades of house. eugenes first solo productions as yooj saw their release this summer and quickly garnered a host big name support. today he takes another major step in his production career with the release of

alberto pascual analytic trail after anagrams ep in 2010, releases for the second time a project of one of the most internationally famous spanish producers, alberto pascual. his works have been played by richie hawtin, dubfire, markantonio, adam beyer, cristian varela, joseph capriati and others techno giants. bailando, is a creative and tasteful ep formed by four track, including a remix of manuel anos a.k.a. psyk, already reached the success with is project released on richie hawtins minus label. the first track is bailando, it has a powerful charge with its massive groove and obstinate synth that flies hasty on a swarm of rides. no breaks in this tune, techno device. bailando continues to leave its mark through another spanish producer, his name is manuel anos a.k.a. psyk. he creates an amazing remix made by a weighty kick and a compressed bassline, this compact but hard beat is surrounded by acid sounds and increasing effects that make of this track a dark techno wave of course.amok has a rousing modulation that directs the track in a swinging vibe with linear claps and hihats. but is just the beginning, after few minutes something changes, a dirty synth in background starts to support an hurry beat that goes on till the break. here everything seems to quiet till the restart, where the ride rules and nobody cant avoid its rage. final lap with homonymous track of this ep. this artist on this tune can show his eclecticism using a techno unbreakable step with electronic cyclic string. wonderful underground soundtrack. so young, so strong, so techno. this is another quality touch for analytic trail, good music must be appreciated.

the inaugural release on prism comes courtesy of jon phonics, fresh off the back of his debut appearance on vinyl with the essential >bruck out/the one< 7 inch on chakra sounds.
never one to rest on his laurels, jon now presents the >grid games< ep. this instrumental, progressive project is a nod to his more leftfield influences forging elements of electronica, 2 step and bass music.
the vinyl features collaborations with s-type (luckyme), jeeks (civil music), pete cannon and bug alongiside remixes from kidkanevil, ghost mutt and pedestrian.

meet bwana. his tunes started racking up plays and conversations commenced with new music buddies xi, submerse and djd. a variety of different 130bpm sounds were toyed with from dubstep, garage, 2 step, 808 dubstep and his very own mashes of r&b-lead garage-step. it all seemed to work. a bunch of labels got in touch and tracks were signed to mad decent and montreal based infinite machine.

another city now is the debut ep from ango aka andrew gordon macpherson, the next fresh voice hailing from montreal, canada on the luckyme label. a frequent collaborator with jacques greene, lunice & nycs azealia banks, now is the time for ango to step out alone. over this 6 track narrative - written on the road whilst touring in january 2011 – one hears late 80s pop, early 90s house and contemporary rnb arise in equal measure. every bit the writer as he is the producer, this record is a lyrically polarised selection of girl songs expressing the giddy way up and the painful way back down. but theres something defiantly warm in angos music that serves as a refreshing antidote to 2011s endlessly morose electronic music. where polysynths and hi hats spring above plates of live processed vocals, chopped samples are harmonised upon, punctuated with thumping drums. another city now is a balanced record: upbeat and deep, vintage and yet totally modern, as heart aching as it is uplifting. our tenth record is something special.

rising new label deadplate records drop their second release: the first vinyl offering by artifact, with a remix by graphics. artifact is the main moniker of bristols ryan bonfield, an exciting new producer that merges the hard hitting sounds of dubstep with the swung rhythms of 2-step. with support coming from the likes of mary anne hobbs and mosca, those familiar with bristols offerings to the uk dance scene will already be familiar with artifacts music. if youve ever heard one of his dubs on a dance floor, you will have known – its hard not to take notice when they drop. the original tracks here are perfectly complimented by a remix of archaic line by oxford/london dj and producer graphics, bringing how own personal techno / dubstep influenced twist to the original.

kokeshi changes the tempo this time offering two tunes from russias bulb. >tenderness< comes with an 80s vangelis vibe that offers the emotional aesthetic that kokeshi is known for. with its non 2 step beats it wont be recognisable as drum n bass despite having the same tempo as most d n b tunes. for the djs, catch the flip side which offers a dance-floor friendly yet uber deep feel from the d n b tune >heartless<

the first liaison of those two guys might be entitled as a generation clash. young gun kitt bang became a famous munich resident dj in the past 10 years for instance at the famous zombocombo freaktheatre. the old dog enne spins and produces records since almost 30 years. he created and remixed tacks for labels like: compost, permanent vacation, nang, tirk, just to name a few. the miraculous - funky - weird - dance music on this 12inch is the result of plenty hours studio sessions by using minimoog, microkorg & similar analog devices, furthermore live guitar of guest musician simon i.t.c. with this 3 track 12 inch they tried to go a step beyond of the actual nu disco glut. to make it round we deliver a remix by migumatix (courtesy of freaktown records) a munich based shootingstar too.

next up on nang, we have the long awaited full-length from nu-disco hero and synth aficionado, andy meecham. the release sees meecham step away from his revered emperor machine monkier to create something conceptual and truly visceral, yet still retaining those signature grooves and rich tones we all know and love. the aptly titled monophonic volume 1 is a synth purists dream. each track has been crafted on a single classic synthesizer (and named after it!), giving each piece its own identity and sense of time and place, referencing landmark moments in the history of music technology from the east and west

italian-born luigi madonna made his name in his home town of naples with early eps released by loose records, kondens, analytic trail, mkt catching the ear of many established techno stars before his original productions and remixes for the likes of material and drumcode began punctuating a succession of plus 8 / minus boss richie hawtins dj sets in recent months. and so hawtin has now called upon the producer to step up for his debut ep on the plus 8 imprint, throughout which madonna explores streamlined and stripped back grooves of the sort perfectly befitting the outlook of the label.

bizet reactions, their first release ever. a special moment for every new act. and its vinyl what were talking about. savoir records is taking its next step in the business of serious and shares with you a bucketload of good and honest electronic music.

played by silicone soul, butch, kiki, troy pierce, dj t... bardia salour is a hamburg dj institution and music connaisseur, his dj-sets have had a great influence on the whole hamburg scene for years now. jakob seidensticker is one third of the internationally respected wareika trio. with wareika jakob has been producing and releasing music on well known labels such as perlon, circus company, eskimo, etc. as well as touring all over the world. both have a huge diversity of club experience to pull from and you can hear it in their productions. the duo have recently started a party called dance for fans here in hamburg. the concept is for a range of local events to spread innovation into the local club environment. after djing in various clubs and locations, they have finally found their base at the fulminant ego club in hamburg where they share their tracks with other djs and the ass shaking crowd in general. one thing is for sure, seidensticker & salours track selection and their dub influenced sound have been known to satisfy all hedonistic impulses one may have. after their releases on einmaleins musik & formresonance the two tracker katzenjammer is the next step. early in the morning is pure deepness and perfect for any warmup or after-party situation. midnight tar is the peak time bomb with understatement. from gentlement to gentlemen. from music lovers to lovers!

fourth step made by audio injection, the techno master from los angeles and part of the droid behavior crew,with a huge deep techno track, supported by three remixes from kyle geiger, ryuji takeuchi and octave.

more primetime madness on lordag... four tracks for your pleasure... incl oscar remix (karatemusik)

eddie leader teams up with yuriano on this latest ep from the consistently excellent hudd traxx. following a three-track collaboration earlier in 2011 for the mighty plastic city, the duos release another 3 here on the albatross ep.
all three tracks deliver classic deep house grooves. from the swirling opening track side step to the sax infused blue moon and the late night, retro house sounds of selau beats. this one s sure to appeal to those fans of the classic house sounds of guidance and irecords.

on the a-side we have the cheeky >24 hour party sausage<, where garry takes us back to the sounds of the early 90s uk rave scene. its a peak time old school vocal affair with a raw, analog bassline, stuttered drums and chopped up stabbed vocals. stepping up for remix duty on this future classic is the mole who flips the original on its head and creates a dancefloor creeper for those darker club moments. winding the bassline and metallic beats between the rawness of the original groove and imparting his trademark spooky percussion, rhythms and eerie vocals. b-side >vacation in sunderland< is a love story with a firm salute to the classic down tempo us house of the 90s. its time to dust off those shell suits, high top sneakers and cazal shades and get ready for another slung back, funked out garry todd house jam with growling, rolling bass and seductive vocals and keys. on the remix front fellow illusion family members death on the balcony step up with a classic house masterstroke that compliments garrys slower and sleazier original. here dotb pick up the pace in a brilliantly original rework that accentuates the vocals and piano hook to create a summer house anthem - a stylish finish to another diverse installment from the illusion crew.

the new record is a huge step forward for dynooo, turning the strewn about 25-to-75-second bits and pieces of grooved out electronics on sim city into full-fledged jams. tip! the new record is way more dance-oriented, showing off his affinity for bangers on pounding opener tropical thighs. dude gets a bit darker on northwest noir before diving into raver territory with huge apple. fellow belgian cupp cave makes an appearance this time around, jacking up the perspiration with his remix of espirit sweat. 250 copies limited

somewhere over western europe, an un-identified falling object crashed landed causing a massive bang, and a ginormous banana shaped smoke cloud. frederic, a local artistic young chap was so inspired by this hilariously funny giant cloud that covered the whole sky as far as he could see, he ran indoors to take cover, and wrote a little summer step d&b beat, called >laughing at clouds< – which seemed to draw a lot of attention. out of the studio window, frederic could see what seemed to be a pink giraffe giving it some serious head-nodding action. by the second drop leonard (the pink giraffe) was dancing so heavily that he caused a small tremor somewhere over in the states, where young up & coming producer melo seemed to pick up the transmission. while in his sonic laboratory he managed to transfer his latest project (affirmation) through the current, where frederic decided to make his first remix project, which pretty much made leonard pass out after all the summer stepping….

taking us deeper into the night are the four remixes: london veteran seiji fuses house and garage for a 6 minute roller, dfas juan maclean delves into his deep house roots with his new peach melba project, london duo compound one pay homage to gabriels uk garage roots with sweet old school 2 step and hyperdubs ossie turns in a decidedly trippy uk funky hybrid.

after netsky, kg, break and nymfo smashed some belgian dance classics by original artists shameboy, buscemi, ultrasonic7 and magnus, a few more d&b hotshots step to the plate.
blame gets the opportunity to rework his favorite tune of all time, the ultimate rave track >anasthasia< by t99. meanwhile men of the moment fred v & grafix add some 21st century flavour to >camargue<, one of many charttopping hits by the legend that is cj bolland.
with support from netsky, london electricity, d-minds and fabio among others and a forthcoming upload by ukf, the future looks bright for these badboys.

limited to 500 - all on transparent vinyl.
we are delighted to announce the release of outfits first single >two islands<. we first heard the band a few months ago with their dark mini-narratives >killer< and >every night i dress up as you<. while those two songs offered a slightly hidden introduction to the group their subtle transmissions step out into plain view on >two islands<. the song is slow building, euphoric, and meditates on loneliness, absence and the constant flickering of real life.

till krügers 3rd release on 200 records is another big step forward. it contains two great tracks in his distinctive personal style. > deciduous< is an epic masterpiece for dreaming and dancing. > galaxy 909< is a dynamic and majestic dance floor track par excellence

soul jazz records are releasing this latest studio one compilation which features non-step 100% stone-cold classic studio one killers! spanning 40 years of the legendary label, this album is a fitting tribute to clement >sir coxsone< dodd and is a who is who of jamaicaan reggae.

heavy austrian dub mechanics from group niob aka phlox conspirators gerhard potuznik and martin sovinz. this is their 2nd release to date, a dedicated follow up to last years >vector ep<. opening track nexus takes dubtechno one step further down the road to the lowlands. it manages to keep the atmosphere dread and melancholy but balanced with light skipping percussion and whispering snippets over a four to the floor beat, creating an uniqe kind of bass music. second tune aldo glows with warm chords over thick and dreamy rhythms, rendered in spacious minimalist dub style. side two starts with a vocal drenched acid-rework of nexus by no other than tin man. the words >doesnt matter who your are< will settle down deep in your subconsciousness and refuse to leave for some time. already an anthem and that kind of tune that should not be missed on future dancefloors. the ep ends with a fierce and forward shifting, floor shaking nexus-rework by londons bass cadetts dark arx

played and supported by chris liebing, tommy four seven,speedy j, adam x, norman nodge, colin dale, dave ellesmere, brendon moeller, audio injection, forward strategy group, arnaud le texier, ness and more.
second release for the label created by darkcell. another step in the deep darkness of the modern techno, industrial, where the sounds come together to repetitiveness. sounds powerful but always hidden by a fog that makes the original track for a walk in our modern times. the remix of perc (perc trax, clr, etc.) makes the whole vision faster and stressful .. creating a set of rhythmic and repetitive sounds that destroy and alter any vision around ourselves. the version of bcr boys (nachtstrom schallplatten, darknet, etc.) has drawn much more syncopated, and industrial, the sound cut the atmosphere created by the syncopated rhythms ... a set of mysterious forces surrounding the whole track. power of darkness!

terry lee brown junior is back on plastic city with his new 3 track single >baltimore<. here we have two great remixes and one original dub version. on the a-side is the pumping bas amro remix. its a little bit techy and would rock every dancefloor at the maintime! the b1-track is the aki bergen remix and it sounds more minimal than the other ones. also we have here more elements from the original included! for the last is the b2-track. its the dub mix of the original with less vocals and a straighter beat programming. the productions are very accurate, the interplay of moods, sounds and emotions is functional and sexy, very concidered and perfectly restaged. terry lee brown junior make the next step right back into the clubs. perfect!